pyramids of coal

Bao Steel #8, Shanghai, China

Edward Burtynsky, 2005, chromogenic print, © 2005, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

Edward Burtynsky

In his large-scale color photographs, Edward Burtynsky explores landscapes that have been transformed by human enterprise. He was led to this body of work under circumstances that are an apt metaphor for the subject matter itself: he took a wrong turn. While driving through northeastern Pennsylvania in search of the interstate highway, Burtynsky wound up in the town of Frackville, where he encountered a surreal landscape that had been fractured by coal mining activity. The detour was an awakening for Burtynsky, who decided to devote his life to finding and documenting similar industrial sites all over the world. Since that time, Burtynsky has depicted the sprawling footprints of industry and the transformative impact of resource use. He has explored mineral extraction, energy, transportation and water infrastructure, manufacturing sites and disposal facilities, with the hope that his images will inspire a more sustainable approach to development. His stunning aerial photographs are alluring by design, holding our attention until we can process the sheer scale of human incursions on the Earth’s surface. With each body of work, Burtynsky presents mesmerizing visions of a landscape transformed, and offers a stark reminder of our collective wrong turn.

Explore the Gallery

book with bookmark
brain
inkblot in the form of insect with wolf profiles in negative space
image of mountain with reflection in lake
fist that grows into a tree
turquoise water next to geothermal station

Cerro Prieto Geothermal Power Station, Baja, Mexico

Edward Burtynsky, 2012, chromogenic print, © 2012, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

quarry

Rock of Ages #15, Active Section, E.L. Smith Quary, Barre, Vermont

Edward Burtynsky, 1992, chromogenic print
© 1992, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

exposed mining operation

Silver Lake Operations #14, Lake Lefroy, Western Australia

Edward Burtynsky, 2007, chromogenic print
© 2007, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

winding scarlet-colored water

Nickel Tailings #34, Sudbury, Ontario

Edward Burtynsky, 1996, chromogenic print © 1996, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist.

water tributaries of salinas

Salinas #3, Cádiz, Spain

Edward Burtynsky, 2013, chromogenic print
© 2013, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

salinas in arid area

Colorado River Delta #8, Salinas, Baja, Mexico

Edward Burtynsky, 2012, chromogenic print
© 2012, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

arid landscape with pivot irrigation patterns

Pivot Irrigation / Suburb, South of Yuma, Arizona, USA

Edward Burtynsky, 2011, chromogenic print
© 2011, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

concrete stepwell structure with green pool

Stepwell #2, Panna Meena, Amber, Rajasthan, India

Edward Burtynsky, 2010, chromogenic print
© 2010, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

oil fields with derricks

Oil Fields #19a, Belridge, California, USA

Edward Burtynsky, 2003, chromogenic print, © 2003, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

intersecting highways

Highway #1, Los Angeles, California, USA

Edward Burtynsky, 2003, chromogenic print, © 2003, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

carcass of ship

Shipbreaking #24, Chittagong, Bangladesh

Edward Burtynsky, 2000, chromogenic print, © 2000, courtesy of Nicholas Metivier Gallery, Toronto / Howard Greenberg Gallery, Bryce Wolkowitz Gallery, New York and the artist

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